As a music enthusiast, getting your hands on the best deals for tickets to your favorite concerts is always a thrill. With the ENO Promo Code, you can now score big savings on Rodelinda tickets and enjoy an unforgettable musical experience without breaking the bank. The promo code offers a range of discounts and special offers that will enable you to secure premium seats at a fraction of the regular price. Don’t miss out on this opportunity to see one of the most acclaimed opera performances at an affordable price.
1. What is ENO Promo Code?
– ENO Promo Code is a discount code offered by English National Opera, which can be used to avail discounts on various opera tickets.
2. How can you get ENO Promo Code?
– You can get ENO Promo Codes through email newsletters, social media promotions, or special offers.
3. What is Rodelinda?
– Rodelinda is a Baroque opera composed by George Frideric Handel. It tells the story of a queen who tries to save her husband from his enemies.
4. How much can you save with ENO Promo Code on Rodelinda tickets?
– The amount of savings with ENO Promo Code on Rodelinda tickets may vary depending on the offer. However, it can be a significant discount on the original ticket price.
5. How can you use ENO Promo Code on Rodelinda tickets?
– To use ENO Promo Code on Rodelinda tickets, you need to enter the code during the checkout process on ENO’s website or provide it when purchasing tickets over the phone.
If you’re a fan of Rodelinda, there’s no better time to score big savings on your tickets than with ENO Promo Code. With this discount code, you can save money while enjoying one of the best operas of all time. ENO is known for offering world-class performances that are sure to leave you mesmerized, and with this promo code, you can experience the magic at an unbeatable price. Don’t miss out on this opportunity to see Rodelinda and save big with ENO Promo Code!
We use your sign-up to provide content in ways youve consented to and to improve our understanding of you. This may include adverts from us and 3rd parties based on our understanding. You can unsubscribe at any time. More info. With more than 40 operas written over the space of some 30 years, and a vast number of choral and instrumental works, Handel has the reputation of having written more notes of music than anyone else. The ENO has championed his operas for many years and there are certainly a lot of them to champion. They have never performed Rodelinda before, however, and a quick look at the absurdities of the plot is enough to show why this has been neglected for so long. Yet director Richard Jones has managed the great feat of turning those absurdities to advantage and, with the help of some other outstanding features of this new production, turned a neglected work into a great evenings entertainment. The story begins after the overthrow and killing of Bertarido, king of some unidentified land, whose throne has been seized by Grimoaldo who wants to cement his power by marrying Rodelinda, who is Bertaridos widow. This goal, however, is made more difficult by Grimoaldo already being betrothed to Eduige, who is Bertaridos sister. So everyone starts plotting against everyone else, and then Bertarido turns up not dead after all. Bertarido is captured and imprisoned, but his loyal servant Unulfo breaks into the jail to free him and is promptly stabbed by Bertarido who thinks he is the executioner. Anyway, they all live happily every after, except Grimoaldo who is killed, and even Unulfo, who gets steadily more blood-stained as he limps through the final act, joins in the final chorus. The music, being Handel, is glorious and one gets the feeling that the whole plot is just an excuse to string together some glorious arias. What Richard Jones has succeeded in doing, however, is to turn the whole thing in to a farce with some wonderfully funny moments, while preserving total respect for the music. Between arias, during the recitative passages, and even between verses, he always gives the characters something to do to keep the action going, turning the whole thing, perhaps for the first time, into a true comic opera, with the absurdities accentuated by setting it in relatively modern times. With a cast led by Rebecca Evans as Rodelinda and the magnificent countertenor Iestyn Davies warbling their way through Handels gloriously challenging arias, the whole thing adds up to a thoroughly good and highly amusing night out. Iestyn Davies voice is something worth hearing at any time, but this production makes it even better. Rodelinda runs until March Visit eno. Full marks to Handel and the ENO, even if the opera itself is total nonsense.
After weeks of intense rehearsals, opera star Rebecca Evans will sing the role of Rodelinda with English National Opera tonight. Karen Price catches up with her to chat about life on and off the stage. During the past few weeks, the Grammy Award-winning soprano has been unwinding from the intense rehearsals for Rodelinda with English National Opera by tuning into the Winter Olympics in Sochi, which came to a close last weekend. I remember the first Winter Olympics after I got together with my husband and we became completely hooked on it back then. As an international opera star, Evans, who was born in Pontrhydyfen near Neath, has much in common with an Olympic athlete as both jobs require you to be in your best mental and physical shape and have a strong dedication to training. The year-old, who appears a decade younger, has spent seven weeks rehearsing the title role of Rodelinda, which opens at the London Coliseum tonight. With a performance of three-and-a-half hours, it certainly takes stamina. How does she protect her voice? We all got the dreaded cold halfway through rehearsals. The seven-strong cast have been rehearsing for hours six days a week. It is an epic story of love, power and mistaken identity. Bertarido has been driven from his kingdom by Grimoaldo and is presumed dead, leaving behind his grieving wife, Rodelinda. Grimoaldo will imprison Rodelinda unless she agrees to marry him, but then the exiled king returns in disguise. Directed by Richard Jones, this new production transports the action from the dark ages to 20th century Italy, presenting the conflict between political manoeuvring and emotional relationships in an intense, direct way reminiscent of a contemporary, dark political thriller. I love watching gritty dramas the grittier the better. They are now looking forward to watching her perform. She is very familiar with the Mozart opera having previously sung the role of Susanna more than times. Evans has a holiday home near Marbella and her friends are travelling to the UK for the first night. This is a fantastic opportunity to get everyone together.